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Classical
ORCHESTRA




Paddle-to-the-Sea 2005 (Narrator and Orchestra) ca. 12'
teacake/green salad 2004 (Orchestra) ca. 9'
Children of the Earth (arr.) by Pamela Conn;
Arranged for Children's chorus and Orchestra, 2002
Colored Shadows 2001 (Orchestra) ca. 16'
Let Evening Come 1997 (Soprano and Orchestra) ca. 9'
text by Jane Kenyon
CHAMBER & SOLO WORKS


Music on a Friday Afternoon 2006 (solo piano) ca. 8'
Tangoella 2005 ('cello & piano) ca. 6'
Changes 2005 (clarinet & string quartet) ca. 6'
Falling Skyward 2000 (solo flute) ca. 6'
Sarabande 1997 (flute and piano) ca. 5'
Basics 1996 (harp, horn, violin and two percussion) ca. 40'
Quilt 1 1995 (solo piano) ca. 8'
String Quartet 1994 ca. 8'
Studies for Oboe Duo 1994 ca. 5'
Three Pieces 1992 (solo oboe) ca. 5'
Tragedy 1991 (bassoon and piano) ca. 4'30"
VOCAL & CHORAL WORKS

Faith in Cerulean 2006 (SATB Choir) text by the composer, ca. 6'
Moonsongs 2004 (Soprano and Piano) ca. 10'
I. (Sonoko Kambara); II. (Basho); Interlude (Andre Myers); III. (Buson); IV. (Andre Myers); V. (Socho)
Hark! It's Christmas 2003 (choir and two percussion) text by the composer, ca. 4'
Two Songs 2002 (soprano and piano) ca. 5'
My Life has Turned to Blue (Maya Angelou); Your face will fade (text by the composer)
Six Poems by Jane Kenyon 2001 (soprano, flute, clarinet, 'cello, piano, and 1 percussion) ca. 18'
Ave Maria 1999 (boy soprano and piano) ca. 4'
ten songs for the new moon 1996 (voice, trombone, and piano) ca. 10'
the darker skies 1995 (soprano and vibraphone) text by the composer, ca. 8'
Winter Poem 1994 (solo tenor) text by Robert Bly, ca. 4'
Three Songs 1993 (soprano and piano) text by the composer, ca. 5'
ELECTRONIC & ELECTRO-ACOUSTIC WORKS
Two Soundscapes 1999 (stereo electronic output) 8'34" Voices in the Mirror; Todesfuge (after a poem by Paul Celan)
Marsha Marsha Marsha!! 1996 (electric guitar, piano, and stereo electronic output) ca. 15'


MULTI-MEDIA WORKS
For Morandi 2 2003. (stereo electronic output) Soundscape conceived for visual artist Patricia Bentancur and her video installation of the same name.
"I am. . ." 2003 (stereo electronic output) Soundscape conceived to accompany the poetry of fifteen high school students, aged 14-16. Recorded for the compact disc Listen!: Voices from the Youth Mentoring Program.
Tool Sound Canvas 1 2002. (stereo electronic output) Soundscape conceived for visual artist Cecilia Mendez and her multimedia installation, Patent Pendiente/Patent Pending.
Destinations 2001. Destinations was a multimedia installation of live music (scored for piano four-hands, electric guitar, percussion, and stereo electronic output.), poetry and video projections conceived in collaboration with visual artist Andi Maio, and poet Zachary Sifuentes.

Vernacular
JAZZ & BLUES
Vocalise 2003 (voice, piano, and guitar)
Tango with Tamar 2002 (violin and piano)
The Old Man 2001 (flute, guitar, electric bass, and 2 percussion)
All that I know 2000 (voice and rhythm section)
Alberta's Renthouse Blues 2000 (voice and rhythm section)
Convictions 2000 (soprano saxophone, piano, electric bass, 3 percussion)
Gemma's Dilemma 1994 (trumpet, tenor saxophone, and rhythm section)
For Emilia 1993 (piano, bass, drums)
HIP-HOP
Myriad Forms 1997 (rev. 2006)
1. Nod to the best 2. Phoenix
3. Mind 4. This is what I've learned
5. The Mental 6. Lyric for your Leisure
7. Beloved 8. It's your time to shine
9. Your time has come 10. Phoenix (remixed)

OTHER
Daffodil 2006
Joy 2006


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